CONNECTION THROUGH IMPERFECTION
Tag: creative risk
WOOING YOU BACK
One of the best essays I’ve read about reconnecting to your novel and moving past “stuckness” was penned by Gail Godwin and published in The Writer. Godwin suggests that a creative work in progress may react to the fear of abandonment like an aggrieved pet, giving you, the author, the cold shoulder or even turning its back on you completely. The provocation of this punishment may be as slight as a busy weekend you spent with your family or a missed writing session. It may be more dramatic–weeks of putting your manuscript on the back-burner. When disconnect occurs, you the writer …
ANXIETY AND IMPULSE
Today–a special day for me–I’m sharing a quote from Hackneys, Huskies, a Glimmer Train essay by author Roxana Robinson, the award-winning author of four novels and three short story collections. To read the essay in its entirety visit glimmertrain.com. “All of the fiction I write arises from the same sort of impulse: it’s a feeling of discomfort, a kind of unspecified anxiety, a need to uncover something that troubles and disturbs me. I write toward that feeling. I try to explain it to myself in order to disarm it, to rob it of its potency. I don’t know how this …
QUOTE OF THE DAY–DIGGING FOR DEMONS
I’ve taken today’s quote from Les Edgerton’s nifty book HOOKED: Write fiction that grabs readers at page one and never lets them go. “The best sources for significant story problems reside within yourself in the form of your personal demons. The very best writers are those who are courageous enough to go deep inside themselves to face and expose the warts and hidden and forbidden feelings most of us want to hide from or deny, at least to others. Not everyone is able to face his demons and bring them out to the light of day, but if you …
MAKE MEANING
In his book OUT OF OUR MINDS: LEARNING TO BE CREATIVE, Sir Ken Robinson writes that creativity “…is applied imagination. To call someone creative suggests they are actively producing something in a deliberate way…a first definition of creativity then is imaginative processes with outcomes in the public world…” It takes courage to put yourself and your creations into the world. With sharing comes risk–of rejection, of visibility, of success. Whatever your fear, applaud your commitment to creativity. Each creative offering adds energy to the collective desire to make meaning. Each creative offering is a message to others: Be courageous, take …
INTENTION & COMMITMENT–YOUR CONTRACT WITH YOURSELF
This post is taken from material I use in my workshop: The 90-Minute Novel. Over the next weeks, as I prepare to teach at the Surrey International Writers’ Conference in B.C., I will continue to post exercises from the workshop. Many of them are applicable to writers of memoir as well as fiction. The Contract: When you sell your book to a publisher, you will be asked to sign a company contract. Now, wherever you are in the process of your new writing project, I am asking you to sign a contract with yourself. This contract means you will:A) Aim …
NIGHT SWEATS
A writer friend confides that he suffers from nightmares as he nears completion of his first novel. “I wake in a cold sweat,” he confesses. “What if it’s not good enough? What if it’s no good? It’s like one of those dreams where you show up naked for the final exam. I didn’t used to be this scared–I didn’t doubt myself.” After we talk for several minutes, we agree the dreams, however uncomfortable, are a good sign. He is about to share his novel with a select audience of first readers, and he will be asking for their feedback. The …
DANCING FORM
Today’s wise quote comes from Lisa Dale Norton’s great book SHIMMERING IMAGES: A Handy Little Guide to Writing Memoir. This particular quote applies nicely to structuring fiction as well as nonfiction. “When you get to the structure stage of composition, you have to be willing to allow the two sides of your brain to dance together, sometimes being led by the logical, I have a structure la di da side and sometimes being guided by the hey let’s let this stuff float around and show me the meaning side. That requires a leap of faith that unnerves many. And I know that. …
The Fine Art of Giving Up
In the midst of writing a full-length narrative, it is more common than not to arrive at a point when you realize the story’s all wrong, nothing works, and you’ve wasted months, if not years. The narrative arc you’ve been riding collapses beneath you. The story’s implausible, Swiss cheese, skeletal. You’ve created paper doll characters. Your cliché-ridden prose sticks to the roof of your mouth. The possible justifications for failure are endless. But in the end, the verdict is the same: You will never write this book, much less future books. Writing is painful, a waste of time, and way …
TEN THINGS I’D DIE FOR
When I asked Stephanie, a writer friend, to list ten things she would die for, her initial response was that she could handle it in one of two ways: “the mushy stuff you could get serious about such as dying for family. But I thought to myself that would never happen so I took the other approach…somewhat self-centered and fun and it has some mushy stuff but not much.” The list is reprinted (fresh and wild) with her permission. * A life size replica of Shaquille O’Neal as a Reese’s Peanut Butter cup * The ability to fly * A …