Great dialogue makes for great scenes In last week’s post, I focused on tips for writing great scenes–scenes and summary are the building blocks of fiction and memoir. A friend who blogs and writes essays read the post and reminded me that scenes and partial scenes also lend energy and veracity to nonfiction. So true! C’mon, make a scene! First of all, a vital reminder: a scene is a piece of story action, played out moment-by-moment on page, stage, or screen. Conflict drives every scene. No conflict, no scene. A scene moves, dynamically beginning in one place and ending in …
Tag: elements of craft
Write Great Scenes to Build Great Stories – Quick Writing Tips
Action, Conflict, Scenes! Scenes and summary are building blocks of stories–both fiction and memoir. A scene is a piece of story action, rendered continuously moment-by-moment, without summary, but with action and, often, dialogue. A scene can be acted out on stage. She wants, he wants: Characters work in conflict. If they both want to go to the same party and they go, sorry, no conflict, no scene. In contrast, let’s say Joe and Suzy are on their third date and Joe wants to take Suzy to Dave’s party. Dave is Joe’s best friend. But Suzy absolutely doesn’t want to go to Dave’s party–Joe just pointed …
#NaNoWriMo2015-Get to the Heart of Your Story (writing tip #28)
When I fall in love with a book it is because I experience the story as if it lives and breathes inside me; I can summon and recall the evocative and pivotal images as clearly as if I’d been there. Because I am there, each time I dive into a story I love, I participate as a reader and the most powerful images are a dance of the visual and the visceral. Make wise use of the pivotal images of the story you are writing. What is the opening image of your story? Visualize your hero just as the story …
#NaNoWriMo2015–Get to the Heart of Your Story (writing tip #24)
Five days to go for 2015’s National Novel Writing Month! I was conversing with a writer today about what it means to finish a first draft. We went over the nuts and bolts of what happens after you write the last line of the first draft of your story. I told him I always put aside my manuscript for several weeks or more. When I am ready to pick up my manuscript and read from cover to cover over the course of a day or two or three, I know that my goal is to read like a reader. I …
#NaNoWriMo2015–Get to the Heart of Your Story (writing tip #20)
I spoke with a client today who is moving from first to second draft on her historical fiction. She is reading one of my novels and she commented on the quick pace and the fact she enjoys reading my scenes. Her question of the day: How do I make my scenes sharp, whole, and compelling. Here are a few quick tips: 1) When possible keep the scenes to 2 or 3 primary characters. 2) Know what each character wants going into the scene. If you’ve ever taken an acting class, you know that each actor has a scene goal — …
#NaNoWriMo2015–Get to the Heart of Your Story (writing tip #14)
When it comes to understanding the story you are writing, teachers stress the importance of knowing what your hero desires, yearns for, desperately wants! They will probably remind you that her goal (want) is something that can be measured externally, in the world. It’s also a very good idea, they say, to know the meaning your hero attaches to getting what she wants. This meaning is internal, having to do with her most vulnerable emotional wounds. Example: She will do almost anything to get that promotion because then she’ll feel validated and successful (instead of feeling like the failure in her …
#NaNoWriMo2015 — Get to the Heart of Your Story (writing tip #2)
Don’t get stuck believing you must draft your novel by a) rigidly outlining OR b) driving your story through the dark blindly with no gas can and no sense of destination. Writing a novel is not an either/or process. Try creating a loose outline with some idea of beginning, middle, end–and fill in the major turning points as you write. Let your hero’s “want” drive the story. Ditto your antagonist’s “want”. Free-write scenes, be a voyeur and watch your protagonist interact with people who are most important in her life. Those moments are vital even if they do not end up …
WORD PLAY
Every writer knows word play is addicting. And, happily, readers flock to those writers who express themselves with originality and authenticity. By that I mean, the images evoked are vivid and often surprising, and the words feel “right” for the narrative world they bring to life. My seven-year-old daughter and I are currently enjoying the series, HOW TO TRAIN YOUR DRAGON. We look forward to our nightly installment, and always we end up laughing out loud. Today’s playful description comes courtesy of Cressida Cowell, the series author, and Toothless, Hiccup’s tiny and sleep-deprived dragon: “Toothless crawled up from his place …
National Novel Writing Month, November 2011
Ready to join tens of thousands of writers around the world and write a draft of your novel in 30 days? November is National Novel Writing Month, or NaNoWriMo, and whether you register officially on the website and follow the rules (175-pages/50,000 words) or not, it is a great time to take advantage of collective creative steam. And in order to try, you must truly give yourself permission to work quickly, and messily, through the first draft. Is it a good idea? Yes, if you get the basics of your novel clear first. According to NaNoWriMo rules, you can begin …
Does Your Story’s “Equation” Add Up?
As an author, 2010 is my year of collaboration. I’ve been working with former CIA agent Valerie Plame Wilson on a female-driven espionage action thriller. At times the process has included input from our two literary agents, select editors, a film agent, and various sub-rights agents on other continents. Needless to say, I’ve had story mechanics for highly commercial books on my mind. In my work as a coach and consultant, I read manuscripts on a regular basis. Often, I can identify what’s working–or not–within the first 20 pages. Assuming you are aiming to sell to a publishing house, your …