It’s always handy to have writing basics at your fingertips in a nutshell: Viewpoint – The perspective you choose and use to tell your story. In the simplest terms the choices are 1st person (I), 2nd person (you, rarely used), limited 3rd person (he, she, as in a central character or protagonist), and 3rd person omniscient (sometimes defined as a godlike viewpoint, shifting between and encompassing the viewpoints of multiple characters). Viewpoint a.k.a. POV. Summary – The efficient and active accounting of story events that otherwise are not rendered fully in a scene. Story-telling with the emphasis on the telling versus the …
Author: Sarah Lovett
Find Your Way Back to Joy in Writing
A writing life can be challenging. Sure, there are blissful days (even weeks) when you fall into your stories like you’re riding a raft with a solid paddle and no leaks, and you don’t tip over and the shining sun makes glorious rainbows in the white water’s wild spray. But there are also those days author Anne Lamott notes, “…when it all feels pointless and pitiful, like Sisyphus with cash-flow problems.” (Anne Lamott, Bird by Bird (1994)) And keep in mind, Anne Lamott is kind and funny and truthful. So how do we face these ups and downs and keep …
Building Complex Characters: Actors Teaching Writers
Actors have secrets to share with writers I studied acting in Los Angeles in my early twenties and I went on to found and serve for five years as creative director of a nonprofit theater. One of my primary motivations was to learn about conflict, pacing and dialogue as actors embodied the words in my plays and the work of other playwrights. At the acting studio where I studied, the teacher drew techniques from the system developed by Konstantin Stanislavsky (also spelled Stanislavski) that gained prominence in America in the 1930s, known as “the method.” The method technique in a …
A Page a Day: Tiny Habits that Get & Keep You Writing Your Stories with Ease & Joy
Embarrassing confession: I’ve been putting off writing this post on “Accountability.” Yikes. It feels good to put my failure out there–wait, let’s drop the “F” word “failure.” (We all struggle with resistance.) And let’s drop that “A” word right now, too, deal? This post is about reaching your desired outcomes (or call them goals or aspirations) with joy and ease, no failure, no shame. Action prompts Next confession: I’ve been working on using B.J. Fogg’s Tiny Habits! This confession is awesome because his system is great and makes change so easy. It also reinforces discoveries I’ve made over the years …
Wants, Whys, Lies,& Ghosts: Use these vital story elements to reveal your characters!
What do characters want?! Spend an hour with other writers or take a writing class and you will hear this advice: Figure out what your protagonist wants! Variations phrased as questions include: What does your hero desire? What does he yearn for? What does she lust for? What is her story goal? Easy Peasy Sounds easy enough, right? Your intelligence operative wants to stop an imminent terrorist attack. Your detective wants to solve the crime. Your au pair wants to fall in love. Your corporate V.P. wants to finally earn the damn promotion! Your archaeologist wants to dig up the treasure after decades of searching! Want something? …
Action-Tracking Outline: Best Writing Tool Ever
Not your grandmother’s outline Today’s post focuses on what I call the action-tracking outline, an outlining/tracking tool that might change the way you think about the “O” word. I’ve published seven novels with the big houses and I’m the author of two upcoming novels in their final stages of revision and polish–and this tool is one of the best in my writer’s toolbox. Yes, I’m talking the “O” word We’ve all heard the debate about ‘pantzers’ and ‘outliners’ and you can find many wise bloggers waxing on pros and cons of one or the other or both. That’s not what …
The 3rd Person Viewpoint
I confess I never stop thinking about the interplay of the macro and micro of story. My goal is always to provide the reader with clarity and meaning. Story development and structure arise out of and along with character development. And the story world connects inextricably to the inner life of each story’s viewpoint character or characters. Simply defined, the viewpoint character refers to the perspective and mind of the character through which the reader experiences the story. You might think of this character as your story’s eyes and ears and thoughts. When you use multiple characters’ viewpoints in a …
Time To Write: Use These Tips & Get Writing with Ease!
Need more time to write? You need more time to write, right? If you’re frustrated that days pass and you don’t make it to the page of your memoir, your novel, your essay, your short story, it’s easy to start beating yourself up: I’m lazy, I don’t want it enough, I don’t have enough energy and I should be able to do it all! So, first, put down the emotional cudgel, bat, truncheon—stop blaming yourself which is never productive—and read on. We talk about stories and we use words like a character’s “want” and “need.” We say characters don’t always …
Writing Tips to Get Your Story On the Page
Use Rituals Writing tips can get you started! Some writers begin their writing day with a meditation. Others begin while they are still in bed and barely awake, and still others begin after walking a mile or doing pushups and crunches and drinking two cups of bitter java. Rituals are popular because they work—but not every time and not for everyone. That’s because there is often a larger undercurrent of ebb and flow to our creative process. But that doesn’t mean we should not encourage flow—we should! Set Goals & Embrace Messy When it comes to writing first drafts—set daily …
Your Characters’ Desires Drive Your Story
Whether you are writing a novel or a memoir, the most important question you must answer is, What do my characters want? You’ll begin with your primary characters–your protagonist and major antagonist–and work from there to other characters. Little Big “Wants” If “what they want” seems like an easy question to answer in your stories, think again. Sure, a detective in a crime story wants to catch the bad guy and close the case. The lonely widower wants to find love. The superhero wants to save the world or at least her corner of it. Those goals (aka desires aka …