When it comes to understanding the story you are writing, teachers stress the importance of knowing what your hero desires, yearns for, desperately wants! They will probably remind you that her goal (want) is something that can be measured externally, in the world. It’s also a very good idea, they say, to know the meaning your hero attaches to getting what she wants. This meaning is internal, having to do with her most vulnerable emotional wounds. Example: She will do almost anything to get that promotion because then she’ll feel validated and successful (instead of feeling like the failure in her …
Sarah’s & Cynde’s Blog
#NaNoWriMo2015–Get to the Heart of Your Story (writing tip #13)
In my work as a coach and consultant, I read manuscripts on a regular basis. Often, I can identify what’s working–or not–within the first 20 pages. Whether you are aiming to sell to a traditional publishing house, or you are going the independent publishing route, your story must hook your reader (agent, editor, or bookstore browser) on page one. Powerful prose is great–as long as you’re using it to tell a story with an engine. I call that “engine” the story equation, and it represents the cohesion and chemistry of the most important story elements: the story catalyst, the event that hooks the reader; the dilemma (sometimes …
#NaNoWriMo2015–Get to the Heart of Your Story (writing tip #12)
Don’t fall into the “black or white” trap! It’s easy even for experienced novelists to fall back into stereotypes when it comes to heroes and villains. I’ve asked more than one war hero why they believed they were motivated to act courageously under fire? Two of them answered more or less this way: “I was terrified I would be a coward so I just ran into the fire!” Remind yourself that every hero has flaws and every villain has tried to do the right thing–at least once in her life. Quick exercises: 1) List three good things your villain has …
#NaNoWriMo2015–Get to the Heart of Your Story (writing tip #11)
How well do you know your significant other? Do you know where and when your best friend went to middle school? Do you know your sibling’s deepest secrets? Do you know if your mother had a first love before she met your father? Or if your older cousin dropped out of sight and out of touch for several years? We are often attracted to people because they hold some mystery for us and we find that challenging, frustrating, and alluring.So, you ask, how does that apply to my novel? Don’t aim to or pretend to know everything about your main …
#NaNoWriMo2015–Get to the Heart of Your Story (writing tip #10)
Over the course of writing seven novels on deadline, I’ve found that there are times I need to get closer to my characters, and there are times I need distance, at least temporarily. If you’re struggling with either of these issues, take these tips to heart: More Intimacy: I need to get inside my character’s skin! If you’re feeling some distance between yourself and your novel, here is a simple way to write your way to more intimacy: 1) Pick one of your upcoming scenes, an interaction between your hero and at least one other character. Your hero is the viewpoint …
#NaNoWriMo2015–Get to the Heart of Your Story (writing tip #9)
It’s the ninth day of NaNoWriMo2015 and by now you may be seated at your desk staring at your pages, feeling ecstatic! Or, alternately, you might be hiding beneath your desk in the depths of despair. It’s possible you even feel a bit of both. One of the keys to enjoying a long and productive writing life is to find that balance-point between both ends of the the teeter totter–ends occupied by “brilliant” and “blecchhh”. If you don’t, you will remain at the mercy of those two, leaving you exposed to manic highs and depressive lows. Not so fun. Chances …
#NaNoWriMo2015–Get to the Heart of Your Story (writing tip #8)
Hey, it’s NaNoWriMo day #8 so let everything go to hell! We’ve all had those days when things keep going wrong–and wrong–and more damn wrong! The events might be big (getting fired from your job) or small (someone cutting in front of you when it’s your turn to order your latte). At some point we feel so cornered we explode and let loose our rant! Maybe we’re alone and maybe we’re not. Maybe we’re ranting in someone’s face. Hopefully we’re not threatening anyone with bodily harm. Confession: I’ve pulled over in my car so I could rant without censoring myself …
#NaNoWriMo2015–Get to the Heart of Your Story (writing tip #7)
When you’re writing fast, tapping out your shitty first draft, you need to have several markers on your imagination’s roadmap. You want an X on your starting point (this marks your hero’s life at your story’s opening and her “want”). You also need an X for the inciting incident that pulls your hero out of her ordinary life and changes or intensifies her “want” (and at this point that X will also mark your antagonist’s intentions, whether your antagonist is a middle school bully or a mafia assassin). It’s good to have an X in the general vicinity of your …
#NaNoWriMo2015–Get to the Heart of Your Story (writing tip #6)
Action is vital in fiction. But the action must fit the story. If you are writing a gentle love story you will probably not include car chases and IEDs. However you might include a hero who obsesses over a “potential” or “lost” love to the point of stalking. “Really, I was just picking up my dry-cleaning and can I help it if you work next door?” Details are also a vital part of bringing a fictional world and its inhabitants to life–however a wise writer chooses dynamic details, meaning those details that reveal something about the inner and outer life …
#NaNoWriMo2015–Get to the Heart of Your Story (writing tip #5)
It’s National Novel Writing Month and many writers around the world are in gear and cranking out pages! Yesterday, my tip was about writing in drafts–and the quick (and shitty) first draft aligns with getting your novel done in 30 days (although even when I’m fast, I’m not that fast!). Today my tip is for those moments when you feel you might be veering off track, stumbling into deep water, and all the other cliches that basically mean you feel lost and disconnected from your story. Don’t panic, this counts as a normal part of first-drafting. When you feel you …