In the midst of writing a full-length narrative, it is more common than not to arrive at a point when you realize the story’s all wrong, nothing works, and you’ve wasted months, if not years. The narrative arc you’ve been riding collapses beneath you. The story’s implausible, Swiss cheese, skeletal. You’ve created paper doll characters. Your cliché-ridden prose sticks to the roof of your mouth. The possible justifications for failure are endless. But in the end, the verdict is the same: You will never write this book, much less future books. Writing is painful, a waste of time, and way …
Tag: writing basics
Quote of the Day: “Lower Your Standards”
My friend Marty G., a professional writer and editor, who has been at it for thirty-plus years, does not believe in writer’s block. When a writer complains she can’t make progress on the first draft of her book, Marty advises, “Lower your standards.” When it comes to the craft of writing, Marty is an advocate for excellence, but he also knows the difference between writing a first draft and a third draft. First, get the words on the page; second, make it better; third, make it zing!
LOOSEN UP WITH SLAP, BAM, MUZZY, GLOVES…
In the 1970s, poet Kenneth Koch inspired school children in Manhattan to create verse freely and joyfully. To help them associate words and sounds he began with an onomatopoetic word–buzz–and asked them to come up with words that sounded like it–fuzz, fuzzy, muzzy, does, gloves, cousin. He also made noise! He smacked a chair with a ruler and asked them to put the sound into words–hit, tap, smack. He had them close their eyes and listen again and decide what word best recreated the sound. Whack! Snap! Cat! Koch encouraged them to hear the most accurate word regardless of its meaning. Pap! …
UNCOMMON SENSE: Concrete, Significant, Dynamic Details
Vivid writing engages all the senses. But a writer doesn’t slather cobalt blue and Prussian blue and titanium white onto the page to paint the sky as it darkens before a rain. She can’t reach for her trumpet and belt a B-flat to herald the end of an act. He rarely has the opportunity to slide a sliver of dark chocolate laced with habanero chile between his readers’ lips. And when was the last time a book reached out with a feather and tickled that spot at the base of your neck? Writers use words to awaken and engage a reader’s …
Today’s Quote on Writing Memoir-I Then, I Now
Two quotes today, both from Thomas Larson’s wonderful book The Memoir and the Memoirist: Reading & Writing Personal Narrative: “It feels natural to see the remembered self as a character who has an independent life, chooses for himself, indulges free will. But memoirists avoid such self-casting. The memoir writer does not situate himself in a recreated world as though he were a literary character. What the memoirist does is connect the past self to–and within–the present writer as the means of getting at the truth of his identity.” “For such emotionally intense memoirs we need emotionally revealing memoirists, authors who …
FIRST DRAFT, SECOND DRAFT, THIRD DRAFT!
Writing a book is a long and demanding endeavor. It is best accomplished by breaking the process into doable steps. These include dreaming, brainstorming, researching, outlining, and drafting. I am always surprised when writers are surprised by the concept of drafts. I know many writers and not one of them has penned a novel or memoir in one sitting–or even in one draft. Most writers confess to a minimum of two, usually three, and sometimes many more drafts. I suggest you aim gently for three drafts: the first being the rough and wild draft, the second being the editorial revision, the …
SNIPPETS
This week I confessed to a writer friend who lives in Mexico that I’ve been working on my current novel in five- and ten-minute increments. I’m no stranger to writing on the go. I always carry something to write with and something to write on–tiny notebooks, recipe cards, old receipts and gum wrappers. I’ve been known to call my home phone and leave myself “writerly” messages: a few lines of dialogue, some character notes, the sketchy highlights of a pivotal scene. I often suggest to clients who are over-scheduled and/or phobic about facing the blank page, that they send me …
The Writers Telesummit 2008
Creativity coach and author Eric Maisel and two colleagues have teamed up to present the Writers TeleSummit 2008, Thursday, September 4th through Sunday, September 7th, 2008. I’ve found Maisel’s books on creativity and self-coaching to be really helpful. I love the clarity of the steps he offers to demystify the creative process. When I read the list of 24 presenters, I was impressed. Among them: Eric Maisel will talk about “Writing and Selling the Nonfiction Book.” This should be inspiring. Agent and author Jeff Herman has written one of the best guides to writing book proposals. His talk “Finding the …
Making Creative Time
As a professional writer and writing and creativity coach I am constantly juggling time and space for writing and revising my own books with the work I do with other creatives. Add to the schedule parenting our almost-four-year-old; time with my husband when we actually get to play; time with friends; and time to get on the trail with the dogs. I am no longer juggling, I’m a one-woman circus: lion tamer, clown, trapeze artist, elephant girl, and barker rolled into one. This brings me to the importance of getting away-even when you don’t believe you can. 1) Make plans …