It took me most of my life to realize I use a conversational style in my household that I call “passing ships”. (Actually my husband pointed it out.) I talk on the move, beginning a question on one side of the house and finishing it on the other. A bad habit, and I’m working to correct it. It is especially interesting because each week I spend hours on the phone talking with clients and I love giving them my full attention. No double-tasking, no daydreaming, just my full attention. And yet I’ve been lazy with my family. I thought about …
Tag: writing exercise
FICTION QUICKIE
You have a photo album, right? Those faded snapshots from childhood, the bad-hair-day graduation pic, the formal wedding portrait…and the next wedding shot from the chapel in Vegas? Or maybe you don’t keep any photos but your mom has scads. Or yours are on MySpace or Facebook. Or your ex posted a few on the net. Or (even more interesting) you’ve destroyed every likeness of yourself. Your fictional characters have their own “Kodak moments”. Take ten minutes and daydream about one of your characters and those celluloid and digital snapshots of her life. Discover one that she keeps hidden. Picture …
LOOSEN UP WITH SLAP, BAM, MUZZY, GLOVES…
In the 1970s, poet Kenneth Koch inspired school children in Manhattan to create verse freely and joyfully. To help them associate words and sounds he began with an onomatopoetic word–buzz–and asked them to come up with words that sounded like it–fuzz, fuzzy, muzzy, does, gloves, cousin. He also made noise! He smacked a chair with a ruler and asked them to put the sound into words–hit, tap, smack. He had them close their eyes and listen again and decide what word best recreated the sound. Whack! Snap! Cat! Koch encouraged them to hear the most accurate word regardless of its meaning. Pap! …
UNCOMMON SENSE: Concrete, Significant, Dynamic Details
Vivid writing engages all the senses. But a writer doesn’t slather cobalt blue and Prussian blue and titanium white onto the page to paint the sky as it darkens before a rain. She can’t reach for her trumpet and belt a B-flat to herald the end of an act. He rarely has the opportunity to slide a sliver of dark chocolate laced with habanero chile between his readers’ lips. And when was the last time a book reached out with a feather and tickled that spot at the base of your neck? Writers use words to awaken and engage a reader’s …
The Wild Freedom of 100 Lines
My writing friend in Mexico introduced me months ago to author CM Mayo’s generous web offering: 365 five-minute writing exercises. Somewhere among those exercises is one that suggests writing 100 lines about a story, scene, idea. I don’t remember the exact details of her exercise, but I am completely addicted to the flexibility it has inspired, and I use it all the time. These days, when I’m diving into a new scene, I begin with 100 lines of free association. These free me of fear and lead me to infinite discoveries, including: dialogue, emotionally evocative sensory details, physical descriptions, various …
Tricksters, Saboteurs, Gremlins, and Other Early Risers
You wake early because you’ve highlighted two hours in your schedule and you’re going to work on your book. The last time you sat down to write, two days ago, the words flowed effortlessly and you felt elated. Now, you touch your fingers to the keys, but instead of joy, you feel a chill at the base of your neck. You are not quite present, a bit out of sorts. You try to shake off the shadow, shake the mood, but you find yourself forcing the words onto the page. You persevere for another ten minutes but it only gets …
FLASH FICTION, FLASH MEMOIR!
Writers of full-length narrative may easily be enticed by the extreme brevity of flash fiction. A story with a word-count of 250 to 1000 words forces its creator to dive right into the thick of things. And what a joy to complete a story in minutes instead of months. Now, writers of memoir can join in the dash. Recently, the magazine More encouraged its readers to write and post a six-word memoir. Their example: Revenge is living well, without you. —Joyce Carol Oates, from Not Quite What I Was Planning: Six-Word Memoirs by Writers Famous and Obscure. To read other six word memoirs and …
LETTER TO MY YOUNGER SELF
A wise and gifted writer friend recently reminded me of an exercise designed to provide new perspective on one’s life. I have used variations of this exercise in my workshops. I find it especially useful when a writer wants to attain some breathing space around a particular subject or some distance from a particularly challenging experience. It can also be useful in developing a fictional character. The following has been adapted from the book Cancer as a Turning Point. Part One: Imagine you are a child again, you at age ten or eleven, and you receive a special letter. This letter …
THE 10-MINUTE-VENT
When it comes to encouraging and even enhancing flow in your creative writing process, the 10-Minute-Vent may become your most important tool. It’s the exercise I use to launch my writing days. Writer friends and clients who try it report immediate results: it is a powerful way to steer clear of self-sabotage, procrastination, the destructive inner critic, and creative block. All writers hear voices. We usually welcome those belonging to our characters and the narrators of our stories; but there are some we do not welcome, and, in fact, may fear. I call these internal voices my “cast of hundreds”, …